Society of Graphic Fine Art : 103rd Annual Open. SGFA MEMBERS ONLY

The Dining Room, Godolphin

By hilary jean gibson

Pencil

h: 41 w: 60 d: 1 (cms).

My drawing of the dining room at Godolphin NT Cornwall was done in situ. I became fascinated by the linen fold panelling which intrigued me as it didn’t quite fit the space, had it once belonged to the King of Portugal’s ship wrecked off Loe Bar? I love the stories historic, old houses have to tell.

£1250

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The Dining Room, Godolphin

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First Light

By sheila anderson hardy RSW

Sumi-e ink washes on profile canvas

h: 100 w: 100 d: 5 (cms).

Embracing the ancient Eastern tradition of sumi-e painting. A tradition which seeks to express the essence of nature using only varying dilutions of pigment ink. By carefully balancing the gradations of black, grey and white to create a harmonious composition, which echoes the spirit of the subject. In variance from tradition instead of paper I have created this work on primed canvas. Its subject being a simple roadside verge observed at dawn close to my home.

£2200

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First Light

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The Uncut Version

By sheila anderson hardy RSW

Sumi-e ink and watercolour on paper

h: 61 w: 79 d: 1 (cms).

Our wildlife has suffered a catastrophic decline in recent years mainly due to habitat destruction. My work The Uncut Version is a plea to embrace the wild and untidy areas and leave as much of our gardens and verges to nature.

£1275

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The Uncut Version

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When Near

By frank to PSSA, SGFA

Ignited Gunpowder & Colour Powder on Handmade Paper

h: 31 w: 30 d: 1 (cms).

Robin study executed with ignited gunpowder and colour powder on French handmade paper

£1280

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When Near

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Fridays and Saturdays

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The Shippons, Godolphin, Cornwall

By hilary jean gibson

Watercolour

h: 19 w: 49 d: 1 (cms).

This image was painted entirely en plein air at Godolphin, the ‘Shippons’ are the former cow sheds.

£695

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The Shippons, Godolphin, Cornwall

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Spinney,Autumn .

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Nisperos with Church

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down the rabbit hole

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Rhododendron wood

By jennifer jokhoo

Reduction linocut

h: 68 w: 41 d: 1 (cms).

£600

£500 (Unframed)

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Rhododendron wood

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Wild Easterly

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Celeste

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Kamakura Trail 6

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In A Southwesterly

By marc bodie

Fineline Pens/ markers on Yupo Paper

h: 47 w: 32 d: 1 (cms).

This is of a professional artist model John Carrasco who has had amazing artists working form him. I loved this pose the lighting and the way his beard seems to be caught in a strong wind, hence my Title for this piece.. I could see him as a Crewman on a Pirate Ship looking seaward for approaching vessels. I love the drama. I enjoyed doing this in my way adding the white stripe to give an added sense of relief and contrast to the oppressive black background that places him in full focus.

£1950

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In A Southwesterly

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Raving seedheads

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The banks have broken

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Ally Pally theater

By austin cole RBA

Etching with Aquatint

h: 11 w: 43 d: 1 (cms).

£310

£275 (Unframed)

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Ally Pally theater

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Dartmoor, Great Staple Tor after rain

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‘The Winter is the spring’

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Study of a Bird 003 ~ Wren

By louisa crispin

Graphite

h: 12 w: 12 d: 1 (cms).

Observational nature study based on Wren specimen found locally

£550

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Study of a Bird 003 ~ Wren

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Study of a BumbleBee 035

By louisa crispin

Graphite/emboss

h: 12 w: 12 d: 1 (cms).

Study based on the buff-tailed bumblebee, Bombus terrestris Words: The size of each worker is defined by the amount of food supplied at the larval stage. As the nest increases in size, so the workforce until eventually there are sufficient females to raise new queens.

£550

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Study of a BumbleBee 035

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Study of a Seed 005 ~ Ivy

By louisa crispin

Graphite

h: 12 w: 12 d: 1 (cms).

Study based on Ivy, Hedera helix

£550

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Study of a Seed 005 ~ Ivy

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Study of a Seed 008 ~ Field Maple and Lichen

By louisa crispin

Graphite/emboss

h: 12 w: 12 d: 1 (cms).

Observational nature study based on Field Maple and Lichen growing in the tree

£550

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Study of a Seed 008 ~ Field Maple and Lichen

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The Woodman's Hut

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Lemon Sole

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Constantin's dance

By Arianna Tinulla Milesi SGFA

Coloured pencils, charcoal and graphite on paper

h: 28 w: 36 d: 1 (cms).

Constantin’s dance is a drawing I made to celebrate changing perspective in my life. My mom is hugging our new cat, in the centre of the picture there is a female figure I made at a workshop that I reproduced here as a “memento” to embrace change. The two men from XIX Century come from a picture I saw in an hotel in London in a moment when I was very happy and scared and the two drums come from Costantino Beltrami’s collection, the man who discovered Mississipi’s river source during his most important ethnographic expedition.

£740

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Constantin's dance

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I Have Kissed You For The Last Time

By Arianna Tinulla Milesi SGFA

Coloured pencils and graphite on paper

h: 28 w: 36 d: 1 (cms).

“I Have Kissed You For The Last Time” is a verse from the song “Visions of Gideon” by Sufjan Stevens that closes the beautiful movie “Call me by your name”. Probably the film I watched the most during my covid time at the end of last summer. It represents me in the room where I was staying and that I was about to leave at the end of my illness. Mixed with that room’s elements there are some details from a beautiful fresco about "The last supper" I admired in Florence, at San Marco’s Convent. I wanted to depict the mixed and bittersweet feelings I proved during those months in Italy and during the covid time. It has been a surreal and oniric moment.

£760

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I Have Kissed You For The Last Time

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Sweet Peas

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Mighty Oaks

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A Natural History Land Sea Air 3

By sally price

Graphite on Paper

h: 38 w: 29 d: 1 (cms).

Observation from nature. Drawn from the object itself exercising the discipline of creating the illusion of a 3D object on 2D paper using minimal shadow. Texture, light, form and shadow with tone and line.

£2000

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A Natural History Land Sea Air 3

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Windfall

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Harley Davidson 1942 US Military Flat Head

By bernard allum

Caran De'Ache Pencil on Caslon Paper

h: 40 w: 60 d: 5 (cms).

1942 Harley-Davidson Registration no. JGT 417 Engine no. 42WLA7171 Production took off when the USA's entry into WW2 in December 1941 created an unprecedented demand for military motorcycles; around 90,000 of the WL (military) version rolling off the Milwaukee production lines before hostilities ceased. After rigorous testing in 1939, the US Army had ordered its first batch of WLs in March 1940,

£575

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Harley Davidson 1942 US Military Flat Head

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Plot 34, warming up

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When The Silent Hour Descends

By alison griffin

Pencil and oil on gessoed paper

h: 39 w: 29 d: 1 (cms).

I'm obsessed with trees, I spent a lot of my childhood climbing them, making dens in them, reading fairy stories and folk tales about them and imagining my own adventures when playing amongst them. Now I love trees for their beauty, majesty and restorative powers; the shelter of the forest can sometimes provide a sense of complete isolation, sometimes, a sense of connectedness to something so much larger than ourselves. And of course the environmental and ecological importance of trees is invaluable - I will forever marvel and be inspired by trees and the beauty and sanctuary they provide us.

£450

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When The Silent Hour Descends

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Walled Garden, West Gate

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Walled Garden, Early Autumn

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An Unrelenting Ache

By alison griffin

Pencil and oil on gessoed paper

h: 39 w: 29 d: 1 (cms).

I'm obsessed with trees, I spent a lot of my childhood climbing them, making dens in them, reading fairy stories and folk tales about them and imagining my own adventures when playing amongst them. Now I love trees for their beauty, majesty and restorative powers; the shelter of the forest can sometimes provide a sense of complete isolation, sometimes, a sense of connectedness to something so much larger than ourselves. And of course the environmental and ecological importance of trees is invaluable - I will forever marvel and be inspired by trees and the beauty and sanctuary they provide us.

£450

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An Unrelenting Ache

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IN PRECEDING TIME - GAVIN BOWYER '21

By gavin bowyer

Pencil

h: 34 w: 46 d: 1 (cms).

A self portrait which reflects a time, as a portrait artist, that has passed. A period of existential family and personal dread. Often, it was a lonely and uncertain path having to face up to job loss, financial hardship, lack of status, stress related illness, anxiety, depression and eventually my bowel cancer.

£1000

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IN PRECEDING TIME - GAVIN BOWYER '21

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Dalmatian

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Two Seater

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BURNED OUT II

By gavin bowyer

Pencil

h: 31 w: 18 d: 1 (cms).

Burned Out II is a follow up pencil drawing of my tired and withered son finding sanctuary in the confines of a cool shaded lounge. His face and arms bear witness to the heat of the summer sun.

£650

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BURNED OUT II

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Solace

By marc bodie

Fineline pen on paper

h: 13 w: 13 d: 1 (cms).

This is just about finding a moment of escape a time to place the mind elsewhere, somewhere that brings us a quiet time of calm.

£360

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Solace

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Woolf

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Stag

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Naomi

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Waiting to negotiate

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Pu Pa

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Llanfair Slate Caverns

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Winter Dawn Isle of Skye

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View Subterranea: Piccadilly Circus

By rebecca coleman

Wood engraving

h: 18 w: 13 d: 1 (cms).

£240

£180 (Unframed)

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View Subterranea: Piccadilly Circus

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Cwmparc Village

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Old Cwmparc

By rebecca coleman

Wood engraving

h: 12 w: 17 d: 1 (cms).

£200

£180 (Unframed)

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Old Cwmparc

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Carlton House Terrace

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Wakehurst Place

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Stream at Sudbury

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LONDON BRIDGE IS NOT FALLING DOWN X

By sumi perera

etching, aquatint, embossing

h: 70 w: 70 d: 1 (cms).

An etching & embossing deconstructed, overlaid and repeatedly printed to create multiple layers to reflect on the ever evolving landscape of London's cityscape and skyline.

£895

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LONDON BRIDGE IS NOT FALLING DOWN X

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Profile Web #3

By charles burns

Pencil on paper

h: 76 w: 57 d: 1 (cms).

One of a series of studies for string sculptures

£1800

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Profile Web #3

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Sebastian

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TERRIBLE TUDORS

By adebanji alade PROI

Coloured Pencil

h: 40 w: 58 d: 5 (cms).

Jack Ballard & Ben Martin sat for me at the National Gallery, they act as HENRY VIII & QUEEN ELIZABETH I in the Horrible Histories (Terrible Tudors) at the Garrick Theatre.

£1750

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TERRIBLE TUDORS

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Sunday 9:44 am

By curtis holder

Coloured pencil on paper

h: 150 w: 120 d: 1 (cms).

£5000

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Sunday 9:44 am

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Walking Figures and Shapes

By oliver lovley BA SGFA

Oil and pencil on board

h: 61 w: 45 d: 1 (cms).

From an original sketchbook drawing made on location on Beeston High Road, Nottingham.

£1500

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Walking Figures and Shapes

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Saturday Night in the Main Room

By oliver lovley BA SGFA

Oil and pencil on board

h: 61 w: 45 d: 1 (cms).

From an original sketchbook drawing made on location at The Crown pub, Nottingham.

£1700

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Saturday Night in the Main Room

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Charlie

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Fish Hill, Holt

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Remnants Of Autumn I

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Dappled light

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Avril In Cornwall

By elizabeth hicks Ba (Hons), PGCE, SGFA

Pastel pencil

h: 33 w: 23 d: 1 (cms).

£210

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Avril In Cornwall

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Helianthus

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Sheep

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Towards Bishopsgate from Bank, London

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Hare and Distant Moon

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Public Choice Voting

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Tilted

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Hanging On II

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A sense of awe

By elena degenhardt PSA, SGFA, IAPS-MC, BBK

pastel

h: 20 w: 30 d: 1 (cms).

This is one of the new works created after my family and I moved to Cannes, France, back to my beloved Mediterranean Sea in spring. I have been painting and swimming daily (unless the sea was stormy), thinking a lot about the ambivalence of the Mediterranean Sea, about its being a source of life and loss for so many, about this sea witnessing so much of human misery and violence, the raging sea, fragile sea, sick with plastic, spitting it out, but there is no end to it. (Beach clean ups have become part of my daily routine). STILL the beautiful sea. So beautiful that it hurts! Having moved too often, I do not know where I belong to. The sea has become that place where I feel I belong to something bigger than myself. The sea feels like home. All these thoughts, emotions and experiences have gone into the works I am submitting today.

£750

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A sense of awe

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My Love is like a ...

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Beach Bouquet in a Fish Vase with Plastic Soup

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Scyphozoa plasticus

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Blue Fragments

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Wiliam in George Street

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World Turned Upside Down

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